For the next online event in the ONE ARTIST | ONE WORK series, Andrea Luka Zimmerman will discuss her film, HERE FOR LIFE (2019). The film will be available to view for the month of October on the LUX Scotland website HERE.
In a world and a city framed by finance and loss, ten Londoners make their wild and wayward way, arguing for their own terms of definition as they go: singular lives, nudging towards a co-existence stronger than ‘community’. On reclaimed land they find themselves, between two train tracks, on the right side of history, making their own wagers with the present tense and future hopes: with who has stolen what from whom, and how things might be fixed. Hesitant, troubled, open to wonder, bearing their wounds, so they, unruly, stage their lives. It is a heightened, often contradictory rite of passage; finding solidarity in resistance, clear of demands except the right to go on.
Sometimes we simply need to hear our stories told by someone else…
ONE ARTIST | ONE WORK is a series of online events established in response to the first lockdown in March 2020. Focusing closely on a single work, these generous discussions provided an opportunity for an artist to present a recent work and talk through how the work came into being. These events have since developed into a more substantial part of our programme, and now include a month-long online screening and a specially commissioned written response that will be published on the LUX Scotland website. The series now provides an opportunity to think more deeply about the work and provide a record of the discussion events.
How it works
Our online events will take place on Zoom. The event will be live transcribed using otter.ai live transcription. We will also use the chat space to post questions /comments being raised by the guest artist so they can be referred back to.
We ask that all participants are respectful and listen to the facilitators and other participants. An attendee list will be circulated to all participants in advance of each event. At the beginning of events we will introduce the guest artist and invite participants to briefly introduce themselves and their reason for joining.
During the event discussion, we ask that one person speaks at a time and that you type ‘hi’ in the chat to indicate you want to contribute. A member of the LUX Scotland team will keep a track of who wishes to contribute and will direct the conversation to you. You may also wish to use the chat space to type your question or comment, should this be preferable for you. We ask that you keep your microphones on mute until you are going to speak to ensure everyone can hear clearly. We invite you to have your cameras on, where possible, as this maintains a feeling of being together in the space.
LUX Scotland is dedicated to providing a welcoming online environment for everyone, regardless of gender identity and expression, age, sexual orientation, disability, physical appearance, body size, race, ethnicity, or religion or belief. Participants who do not adhere to this code of conduct and the participation guidelines will be asked to leave the event.
Andrea Luka Zimmerman is an artist, filmmaker and cultural activist. Andrea’s work is concerned with marginalisation, social justice and structural violence and has been nominated for The Grierson Award and The Film London Jarman Award. Her films include Erase and Forget (2017), which had its world premiere at the Berlin Film Festival and was nominated for the The Glashütte Original – Documentary Award and Estate, a Reverie (2015), which documents the last days of Hackney’s Haggerston Estate before its demolition, the artist’s home for 17 years. Selected exhibitions include Civil Rites, The London Open at the Whitechapel Gallery, London (2018) and solo show Common Ground at Spike Island, Bristol (2017). Andrea is the co-founder of the cultural collectives Fugitive Images and Vision Machine (collaborators on Academy Award® nominated feature documentary The Look of Silence). Andrea is a Reader at Central St Martins, University of the Arts London.
Adrian Jackson is a theatre maker, playwright, teacher, translator and one of the world’s leading experts on the Theatre of the Oppressed. In 1991, he founded Cardboard Citizens, a theatre project that aims to change the lives of homeless people through the performing arts. He has directed over 50 plays with Cardboard Citizens, including Pericles (2003) and Timon (2006) with the Royal Shakespeare Company, The Beggar’s Opera (1999) with the English National Opera, Mincemeat (2009), winner of an Evening Standard Theatre Award and A Few Man Fridays (2012). Jackson had a long association with Augusto Boal – the Brazilian theatre maker, theorist and founder of the Theatre of the Oppressed – and has translated a number of Boal’s books into English. More recently, he directed Cathy, by Ali Taylor (2016/17), and, with Caitlin Mcleod, Home Truths, an Incomplete History of Housing Told in Nine Plays (2017).
Artangel produces and presents extraordinary art in unexpected places in London, the UK, and beyond. For over 30 years, Artangel has generated some of the most talked-about art of recent times, including projects with Clio Barnard, Jeremy Deller, PJ Harvey, Roger Hiorns, Michael Landy, Steve McQueen and Rachel Whiteread. Recent works include Taryn Simon’s An Occupation of Loss, Evan Roth’s Red Lines and Heiner Goebbels’ Everything that happened and would happen. Appearing anywhere from empty prisons to underground vaults, daytime TV to the sky at night, Artangel produces art that surprises and inspires and wouldn’t be possible within the confines of a gallery.
Artangel’s commissioning programme is generously supported using public funding by Arts Council England and the private patronage of the Artangel International Circle, Special Angels and The Company of Angels.
ONE WORK is a series of online events that focus closely on a single work. These generous discussions provide an opportunity for an artist to present a recent work and talk through how the work came into being. Each work is available as a month-long online screening, followed by a specially commissioned written response that serves as documentation of both the work and the discussion.